
Alexander Alexeieff, color wood engraving for Pushkin's The Queen of Spades, 1923
[same info for all images]










All images by Alexander Alexeieff for Pushkin's The Queen of Spades (London, Blackamore Press, 1923).
This is the first guest post by Richard Sica, a colleague and an enthusiastic book collector for the past 35 years. Richard provides some details:
Info on the artist can be found in my previous post: Russian Fairy Tales from A. A.
minutiae: I managed to widen the template tonight. Just in time, because these gorgeous images appear 100 pixels wider than I could have presented them yesterday. This is part of a change to lessen the time it takes for the main page to download. (It seems anyone with non-cable internet is having problems loading the blog -- sorry!) Basically, I've been squeezing large-size images into 400 pixels, and now I'll just be presenting medium-sized images, anywhere from 200 to 500 pixels -- no more squeezing. You'll still be able to click through to larger sizes when available. The page should start loading faster by the end of the month. Bored yet?
This is the first guest post by Richard Sica, a colleague and an enthusiastic book collector for the past 35 years. Richard provides some details:
The images are color wood engravings (very unusual for Alexeieff). The copy of the book is copy roman numeral I, printed on Japan Vellum (this copy is I of XXXV not for sale) and contains an extra set of the illustrations. The binding is full black vellum-gilt stamped. I believe he only worked in wood engraving for a short time as the majority of his books are etching and aquatint. However, the compositions and stylized figures are something he retains over the course of his illustrated work.I hope to do many more posts with Richard. On Tuesday I'll be posting his scans of Alexeieff's work for "Fall of the House of Usher." (And on Monday, I'll be posting my own scans of E. McKnight's Kauffer's Poe illustrations.)
Info on the artist can be found in my previous post: Russian Fairy Tales from A. A.
***
minutiae: I managed to widen the template tonight. Just in time, because these gorgeous images appear 100 pixels wider than I could have presented them yesterday. This is part of a change to lessen the time it takes for the main page to download. (It seems anyone with non-cable internet is having problems loading the blog -- sorry!) Basically, I've been squeezing large-size images into 400 pixels, and now I'll just be presenting medium-sized images, anywhere from 200 to 500 pixels -- no more squeezing. You'll still be able to click through to larger sizes when available. The page should start loading faster by the end of the month. Bored yet?
9 comments:
Great stuff. Really looking forward to the Poe illustrations.
Yes, I definitely second this.
Does anyone else see an M.C. Escher-style effect in the bridge woodcut?
Wow. These fit the story so well. Perfect.
These Pushkin are exquisitely graphic, analytical, clarifying the images to the essential few forms, textures, colours of maximum force. Poe has inspired so many and so well: Epstein's oneiric Chute de la Maison Usher comes to mind, Anselm Keifer's eery Shoreditch installation. Dare one expect yet another side of the master sounded by Alexeieff: Poe the analyst, chilling illuminator of the obscure?
What fantastic illustrations--as Amateur Reader said, they really do fit the story beautifully.
How you and your cunning associates get hold of all this stuff... I'm jealous and in awe.
Thanks for all the nice comments.
Mr. Archaeologist, you will be most pleased with Alexeieff's Poe.
Props for this post have to go to Richard Sica. He left a comment on my previous Alexeieff post, and since then we've been chatting about books and illustrators. His collection trumps mine in every way. (For one thing, I might never find a copy of this book.)
Will
bored?
uhm, no.
:D
I do indeed see an M.C. Escher effect in the bridge woodcut. Absolutely exquisite prints. I am looking forward very much to the Poe.
These are great! I am in love with the second one from the top.
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