September 1, 2009

The Taint of Lucre by Leon Bloy, translated by Gilbert Alter-Gilbert

thousand dollar bloy bill

THE TAINT OF LUCRE
by Leon Bloy
Translated from the French by Gilbert Alter-Gilbert


"Have pity on a poor psychic, please!"

It's a story of the most banal sort. He had had the misfortune of being stricken with clairvoyance after surviving a shocking catastrophe in which a great number of good people met a miserable end.

It was, I believe, a railway accident; at least, so far as I can tell, it wasn't a shipwreck, a fire, or an earthquake. Who can say for sure? He didn't like to talk about it and, despite whatever ingenious and well-intended precautions or stratagems anyone adopted, he was always unstrung and insulted by the curiosity of do-gooders.

I will always remember his decorous supplicant's bearing at the foot of the basilica steps where he solicited alms. Because his ruin had been absolute.

It was impossible to resist a feeling of respectful sympathy for so unusual and so nobly persevering an unfortunate.

One felt that this queer individual had formerly known, better than most, the sweet delights of blindness.

A brilliant education, no doubt, had served to refine in him that exquisite faculty for seeing nothing which is the prerogative of all men, almost without exception, and the decisive criterion of their superiority over simple brutes.

It wasn't much of a trick to puzzle out, with an involuntary shudder of emotion, that, before his accident, he had been one of those exceptionally blind men called upon to become society's glitterati, and he retained from that epoch the melancholy of a prince of shadows exiled to the light.

The contributions, meanwhile, didn't exactly cascade into the old hat which he drooped in front of passersby. A beggar afflicted with an acute infirmity stymied the generosity of the devout but disconcerted parishioners who hated themselves, catching sight of him, while filing into the sanctuary.

Instinctively, one mistrusts a necessitous person who stares unflinchingly at the noonday sun, who all too clearly sees things as they truly are. There was no telling what heinous crime, what nameless sacrilege he had to expiate in some way and, from a safe distance, parents pointed him out to their offspring as a living testimonial to the redoubtable verdicts of God.

Those who encountered him even felt, for an instant, the fear of contagion, and the curate of the parish had been on the point of expelling him. Happily, a group of honorable church officials whose competence couldn't be questioned, had declared, not without a bitter twinge of distaste but, in the most authoritative and incontrovertible manner: "it isn't catching."


***

He subsisted thus, stingily, from occasional alms and from the meager fruit of the tenuous occupations at which he excelled.

He was a glutton for threading needles. He could also string pearls with breathtaking rapidity. For my own part, I was forced to seek him out not long ago and, several times, to take recourse to him to decipher the works of a renowned mystic who had adopted the habit of writing with a camel's hair cleft into four strands.

It was thus that we got to know one another and that we formed the regrettable bond that came, one day, to cost me so dearly.

God preserve me from being hard on a poor freak who, moreover, has been sadly buried in his grave for some time now! But consider how nefarious must have been the effect on my young imagination of the influence of an individual who taught me the secret science -- forgotten for centuries -- of telling a lion from a pig and a Himalaya from a heap of bran.

This dangerous knowledge almost led to my perdition. I teetered but a hair's breadth from sharing the fate of my preceptor. As it turned out, I was no closer than groping. That word says it all.

My lucky star, thank heaven, saved me from the abyss! I was able to extricate myself little by little from this baleful influence until I definitively broke the spell and resumed my role as an adequate figure among all the other moles and millipedes who blunder through the blindman's-buff of life.

But it took time, lots of time, and I was reduced to handing over a considerable part of my worldly goods to retain the rarefied services of a famed occultist from Chicago who, after an interminable series of intense sessions steered me definitively from the light.

Meanwhile, I yearned to know what had become of the wretched beggar; I will now relate how he ended up:

For a few more years, he kept up his clairvoyant's scam outside the door of the cathedral. His affliction, it is said, worsened with age. The older he got, the clearer he could see. The alms diminished proportionately.

The vicars gave him a few farthings to ease their consciences. Otherwise it was only gullible, unsuspecting strangers or persons of the lowest circumstances who, in all probability, had in themselves the seeds of clairvoyance, who came to his aid.

The blind man at the other door, a just and pitiful man who really raked it in, blessed the clairvoyant with a humble offering on the days of the grand carillon.

But all that put together amounted to next to nothing, and the revulsion he inspired mounted daily, and it didn't take much of a stretch of the imagination to guess that it wouldn’t be long before he starved to death.

Believing this himself, he swore an oath. Cynically, he flaunted his infirmity, the way the legless cripples, the goitered, the ulcerated, the demented, the arthritic displayed theirs during votive feasts in the countryside. He held himself under your nose, so to speak, forcing you, as it were, to inhale.

The disgust and indignation of the public were at their peak, and the fate of the reprobate hung by a thread, when there supervened an event as prodigious as it was unexpected. The derelict clairvoyant lucked into an inheritance from an American grandnephew who had become preposterously wealthy from artificial fertilizer and who'd been devoured by the cannibals of Auricania.

The ex-mendicant no longer needed to plead for scraps, but claimed in full the estate of his grandnephew, and straightaway set out to hurl himself headlong into a titanic binge of riotous living. One easily imagines that the fantastic and almost monstrous lucidity which had rendered him a celebrity would immediately bloat and mutate as he, like a consumptive suddenly gripped by uncontrollable seizures, precipitated himself into a rage of profligacy and dissolution.

It was precisely the opposite which happened.

A few months later he fell gravely ill -- and his condition was inoperable. He lost all clairvoyance and even became completely deaf.

No longer living on rancid tripe and rinsed-off garbage, he was finally delivered from the external world -- by the taint of lucre.

TRANSLATOR: Gilbert Alter-Gilbert


(Image created using a 1922 bill from the collection of Iliazd. I wanted to use this stunning collage by Mark Wagner but didn't hear from him in time.)


August 31, 2009

Denizens of the Fantastic Planet

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August 27, 2009

The Buttermilk Tree

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Gebrauchsgraphik in the Sixties

This post now resides on my other site 50 Watts:

August 26, 2009

The Appetite of a Bird

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August 25, 2009

Give Us Back Man - Japanese Graphic Design

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August 23, 2009

Bloyspawn: An Interview with Andrew Bloy by Gilbert Alter-Gilbert

Andrew Bloy (Drew Scott), Great-Grandson of Leon Bloy

BLOYSPAWN
An Interview with Andrew Bloy
[Scion of Leon Thrice Removed]
Interview and intro by Gilbert Alter-Gilbert

Through the miracle of modern communications, A Journey Round My Skull is pleased to bring its readers the serendipitous fruit of the sort of felicitous happenstance only possible through the magic of the internet -- the discovery, in Los Angeles, of the great-grandson of that inimitable literary monument of Belle Epoch France -- the one and only Leon Bloy! [Bloy on JRMS: 1, 2, 3, 4.] Yes, the bloodline of the maitre is perpetuated in the unlikeliest of locales -- that modern Babylon perched on the perimeter of the Pacific rim -- Tinseltown! Great-grandson Andrew, himself a writer, as are his mother and his uncles, uses the pen name Drew Scott. Andrew reports that the boughs and branches of the family tree spread out as follows: pater familias Leon was his paternal great-grandfather who had two sons and a daughter (who died in infancy) in the early 1890s -- Andrew's grandfather Andre (Andrew's namesake), who changed his name to Arthur upon emigrating to America and Pierre, for whom his brother Peter is named; other grandchildren, besides Andrew's father, include an uncle and aunt in New Jersey whom he has never met. Andrew remembers from childhood hearing "tidbits and minor references to a long lost relative of some note" but confesses he had little literary interest at the time. It is with pride and pleasure that A Journey Round My Skull has asked Andy to share his observations and meditations about his illustrious ancestor.

JRMS: First off: how do you prefer to be called -- Andrew, Andy, or Drew?

A. B.: I usually just go by Drew. If anyone calls me Andy or Andrew 9 times out of 10 it's a telemarketer! [or an interviewer! -- ed.] My family calls me "The Heathen" (just kidding)!

JRMS: What is your first recollection of a family connection to Leon Bloy? Did the family regard him as a black sheep, a skeleton in the closet?

A. B.: I vaguely remember someone referring to his work but, honestly, I don't know in what context.

JRMS: What is your personal take on the "old man"? Are you familiar with much of his writing? Do you like what you've come across? Do you think there was justification for those of Leon's contemporaries who, though conceding his obvious talents, regarded him as everything from an obnoxious irritant and a slightly unbalanced windbag, to a subversive of the status quo and a dangerous crackpot?

A. B.: I know this sounds kind of sad but I've only read the translation of The Infusion on JRMS. I really like his way of twisting things -- it’s almost Poe-esque. Nobody knows at first who she poisoned… Could be Him! The crazy bitch is up to no good, that's for sure! I think unbalanced or dangerous are adjectives best used when describing wealthy and powerful men. Leon was just a poor schmuck with an empty stomach. You try to be civil with out a good breakfast! Absolutely, yes, Leon speaks from a soapbox – but that’s what a good writer does -- command you to read EVERYTHING he has to say…

Portrait of Leon Bloy by Felix Vallotton


JRMS: There's an abiding mystery about Leon Bloy. He was a driven man, a man possessed, a one-man crusade to correct the errors of the human race. In some respects, he was anachronistically old-fashioned even for the year 1900. He had the scolding, disdainful temperament of a Calvinist minister, the high moral tone of Juvenal or Swift, the raw cynicism and contempt for humanity of Bierce or Celine. Yet he was a proto-modernist par excellence -- he was "Kierkegaardian" as well as "hard-boiled" before either term assumed currency. He was Kafkaesque before Kafka, Borgesian before Borges; both of whom held him in the highest esteem and praised his insights and his stylistic innovations in the most laudatory terms. Further complicating the mass of contradictions the world knows as Leon Bloy is the fact that he wore a public face which was full of scorn and which was met, in turn, with the most scathing denigration, revilement and near total ostracism, while he had a reputation, in private, as the gentlest, kindest, most gracious and hospitable of men. What do you make of all this?

A. B.: Well, it might seem overly romantic of me to suggest that Bloy men are all cut from that same cloth, but it really is true. When I was growing up my dad's hero was Archie Bunker and, at age 83, he still flips off bad drivers. Definitely, I will never be accused of being a "warm and fuzzy" guy. My favorite person is a 65 lb. mutt named 'Luckyboy.' Everyone else is really getting on my nerves.

JRMS: Leon Bloy was as notorious for his personality as for his writings. To call him cantankerous would be an understatement. To call him opinionated would be like calling Tyrannosaurus Rex a carnivore. A blood and thunder preacher belching hellfire and damnation sermons, Bloy projected a fulminating tone which carried over boldly and undisguisedly into his fiction. As unsparing as he was of the shortcomings of his late nineteenth and early twentieth century contemporaries, how do you think the old warhorse would react to our world's twenty-first century ways?

A. B.: If he were alive today he would be locked up for shoving someone's I-phone up their bracket and likely have a reality show called 'Who Wants to Have A Squirrel Jammed In Your Eye?' It's funny how this convergence has led me to his work because I'm toying with the idea of bringing him into my universe for a week and seeing what happens. We'll do peyote to loosen him up for a little cross-country literary crime spree. I think he'll really dig Utah...

JRMS: Leon Bloy had one of the most distinctive, forceful faces of all time; the fearful countenance of a heavy judger of men, with eyes – seething liquid orbs teeming with indicible secrets -- borrowed from Svengali or the Buddha. His eerie, penetrating gaze, characteristic of the mystic or the mad genius, seems infused with the discharges of some sort of psychic energy gland cranked up full blast and capable, like the gorgon's gaze, of turning beholders to stone. Seeing as the serum of the same blood courses through your veins, one question begs to be asked: do you ever get itchy during a full moon and feel an insurmountable urge to howl at the top of your lungs?

A. B.: Psychic Energy Gland! That was the name of my band in high school! We did Def Leppard covers and dressed like Wavy Gravy. No, not a lot of itching or howling but I have blasted the guy in front of me at Starbucks with the 'Super Stinkeye' when he orders the latest non-coffee abomination these sheep pay nine dollars for... don't get me started…!

JRMS: What similarities with or differences from Leon do you feel you may have? What do you think Leon's life and career teaches about the nature of celebrity? It seems to have rankled Leon that people didn’t pay him more heed, and he chafed to see his colleagues garner worldly honors and recompense while he was left by the wayside. Perhaps our celebrity-obsessed, celebrity-saturated society can learn from Leon Bloy the lesson that celebrity is fickle and fleeting -- he was prominent during his lifetime but widely spurned and berated for his preachy attitude -- people then, as now, didn’t want their faults pointed out, let alone having their noses rubbed in them. And, despite his literary importance, Leon has continued to languish in obscurity for many decades. Do you think there’s a chance he may begin to be rediscovered in our post-punk, innately cynical era?

A. B.: We're not so different. I think we both feel a sense of betrayal by our respective societies: we both have a message and it's not what the general public wants to hear. I wish I could write pap for all the people who care less what goes in their eye hole, ear hole, and mouth hole. I'd be a bloody gazillionaire. I think Leon figured out that the writing thing wasn't going to basically change anybody or make any money, so he said to himself, "screw it -- I'll just do whatever I want." As far as celebrity is concerned, I'm a firm believer in reincarnation and he is here enjoying his celebrity right now.

JRMS: If you could meet your great-grandfather today, and say one thing to him, what would that be?

A. B.: First, we'd have a ribeye and a bottle of Petrus. I think I'd rather let him talk...


Andrew Bloy (Drew Scott), Great-Grandson of Leon Bloy


***

Coming soon: Leon Bloy's "The Taint of Lucre," translated by Gilbert Alter-Gilbert.

Leon Bloy, Mr. Intensity

August 22, 2009

Lilliput Lyrics

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August 19, 2009

Mokkelbost's Entity

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August 15, 2009

Image Dive 4

A Journey Round My Skull is now 50 Watts
http://50watts.com/


I'm importing the archives to the new site and posting new material daily.

Please visit and update your links. Thanks.

***


Foujita, cover for sheet music by Maurice Delage (1879-1961)
Foujita, cover for sheet music by Maurice Delage (1879-1961)


Foujita, The Lion Tamer, 1930
Foujita, The Lion Tamer, 1930


A Lapp Family (from photo by Valentine & Sons) in the book Graphic Stories of Other Lands
A Lapp Family (from photo by Valentine & Sons) in the book Graphic Stories of Other Lands


Cyril E. Power, The Merry-Go-Round, about '29-30 (color linocut)
Cyril E. Power, The Merry-Go-Round, about '29-30 (color linocut)


Sybil Andrews, Speedway, 1934 (color linocut)
Sybil Andrews, Speedway, 1934 (color linocut)


Lill Tschudi, Fixing the Wires, 1932 (color linocut)
Lill Tschudi, Fixing the Wires, 1932 (color linocut)

The above three images come from the incredible book Rhythms of Modern Life: British Prints 1914 - 1939. Don't miss "The Unknown art of Lill Tschudi" at Adventures in the Print Trade.


Lamar Baker, 1940, Fieldhands
Lamar Baker, 1940, Fieldhands


Louis Lozowick, White Spider, 1952, litograph
Louis Lozowick, White Spider, 1952, lithograph

The above two images come from the Smithsonian American Art Museum, an endless treasure.


Alim Hosein, 1991, Leda and the Swan (Guyana, Kyk n.43)
Alim Hosein, 1991, Leda and the Swan (Guyana, Kyk n.43)


mislexic, chiththira cover
chiththira cover
via the great art blog of mislexic


illustration by Varnam for "Ore Oru Vazhi" (a serialized novel)
via the great art blog of mislexic


Eric Gill (1882-1940), Windy beggar (The Canterbury Tales)
Eric Gill (1882-1940), Windy beggar (The Canterbury Tales)


Eric Gill (1882-1940), In the Lion's Den
Eric Gill (1882-1940), In the Lion's Den


Eric Gill (1882-1940), Risen Christ
Eric Gill (1882-1940), Risen Christ


Ricardo Favela, 1975 Announcement Poster for Centro de Artistas Chicanos
Max Garcia, Chicano Teatro poster, n.d. (70s)


Max Garcia, Chicano Teatro poster, n.d.
Ricardo Favela, 1975 Announcement Poster for Centro de Artistas Chicanos

The above two images are from the Online Archive of California.


Ito Jakuchu, 1789, View of Sekihoji (detail)
Soga Shohaku (1730 - 1781), Shoulaoren (detail)


Soga Shohaku (1730 - 1781), Shoulaoren (detail)
Ito Jakuchu, 1789, View of Sekihoji (detail)
view this one large


Fukuda Kodojin (1865 - 1944), Layered Peaks Lds. c. 1930 and Ink Landscape, 1931
Fukuda Kodojin (1865 - 1944), Layered Peaks Lds. c. 1930 and Ink Landscape, 1931

Previous dives: 1, 2, 3.

August 14, 2009

August 12, 2009

Slovakian Expose

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The Wonders of Life on Earth - Yokoo details

Tadanori Yokoo, aesthetic of the end, detail3
Tadanori Yokoo, aesthetic of the end, detail



One of the best things about viewing art online for me is the ability to stare at details for as long as I want to, and sometimes to blow up those details. I've isolated some of my favorite sections of Tadanori Yokoo's posters, which I posted back in October 2008.

Bio found online: "Perhaps best known for his '70s album covers for Miles Davis, Santana, the Beatles, etc., Tadanori Yokoo is arguably the most influential Japanese graphic designer of the Twentieth Century. He is also a well known artist, photographer, and designer of installations."

I just realized I'm in the second week of the second year of this blog.

August 10, 2009

Joe Camel's Little Brother Alberto Savinio

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August 8, 2009

August 5, 2009

Round My Skull in Eighty Days

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